REVIEW - THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL | Liverpool EMPIRE | 18/09/2025
- Sarah Monaghan
- Sep 19
- 3 min read


The Lightning Thief The Percy Jackson Musical - Fun, Fast and Full of Energy (But Missing Its Final Zap)
Rick Riordan’s Percy Jackson series has captured imaginations worldwide since the first book, The Lightning Thief, was published in 2005. From best-selling novels to a Hollywood film and even a Disney+ TV series, Percy Jackson is no stranger to adaptations. Now, the story makes its way onto the stage with The Lightning Thief: The Percy Jackson Musical, featuring a book by Joe Tracz and music and lyrics by Rob Rokicki. Produced by Bill Kenwright, Paul Taylor-Mills, and Lizzie Gee, the show promises adventure, monsters, and toe-tapping songs — but how well does it all translate to the Liverpool Empire stage?

The musical follows troubled teen Percy Jackson (Vasco Emauz), who discovers he’s no ordinary boy but a demigod — the son of Poseidon. Expelled from yet another school after a disastrous museum trip, Percy is thrown into a world of Greek gods, monsters, and quests. Accused of stealing Zeus’ lightning bolt, Percy teams up with his loyal satyr friend Grover (Cahir O’Neill) and the fierce Annabeth (Kayna Montecillo) to clear his name and prevent all-out war on Mount Olympus.
The plot moves at a brisk pace, full of humour and youthful energy, though at times it feels rushed. For newcomers unfamiliar with Riordan’s world, the exposition could feel overwhelming, and the final showdown lacks the grandeur that the build-up deserves.

The set for The Lightning Thief is simple but cleverly adaptable, built around the idea of an underground system of pipes and tunnels. Rusted metal textures, ladders, and tubing give the stage a raw, industrial edge that doubles as everything from Camp Half-Blood to the depths of the Underworld. Movable platforms, atmospheric projections, and creative monster effects bring the world of Percy Jackson to life — including a memorable Minotaur conjured through a mix of smoke, props, and lighting. Tim Deiling’s lighting and Dan Samson’s sound design add real punch, often doing the heavy lifting to create spectacle when the set pares back. The costumes are fun and contemporary, blending everyday teenage looks with mythological touches that bring the demigods and creatures to life. Rokicki’s score delivers plenty of upbeat, pop-rock numbers that keep the story racing along. While the songs aren’t always memorable once you leave the theatre, they’re undeniably fun in the moment and the cast throw themselves into every number with enthusiasm.

Vasco Emauz is a likeable and strong Percy, taking the audience with him on his journey of self-discovery. Kayna Montecillo shines as Annabeth, striking the balance between toughness and warmth, while Cahir O’Neill’s quirky and lovable Grover quickly wins hearts.
The supporting cast, many of whom double roles, bring plenty of fun and energy to the stage. Simone Robinson deserves a special mention for seamlessly switching between Percy’s caring mother and a range of other characters
The ensemble’s commitment is clear, and their energy never dips — a real highlight of the night.

The Lightning Thief is lively, funny, and full of heart, powered by a dedicated young cast and imaginative staging. While the story may leave non-fans a little lost, and the climax feels smaller than it should, there’s still plenty of joy to be found. For Percy Jackson enthusiasts, it’s a chance to see beloved characters brought to life with enthusiasm and spirit.
A quest filled with humour, heart, and a little chaos — but not quite the epic finale one might hope for.
The Lightning Thief: The Percy Jackson Musical is at Liverpool Empire until Saturday 20th September 2025. Tickets are available for purchase through the link provided below.
If you would like more information about the show, please click the button below to visit the show's official website.
Photo Credit - Johan Persson




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