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REVIEW - PETER JAMES PICTURE YOU DEAD | THE LOWRY | 16/04/2025

  • Writer: Sarah Monaghan
    Sarah Monaghan
  • Apr 17
  • 3 min read

Updated: Apr 26


Framed portrait of a woman on blue background; text: "Peter James Picture You Dead." Surrounding text: "The ultimate find. The ultimate price."

Text "ALL ABOUT THEATRE" in bold, white font with pink glow on a vibrant purple background. The design is theatrical and eye-catching.

Peter James’ thrilling crime novels have long captivated readers and television audiences alike, and the DSI Roy Grace series continues to find new life on stage. Picture You Dead, the seventh stage adaptation by award-winning writer Shaun McKenna, brings the pulse-racing suspense of the books to the theatre with cinematic flair. Directed by Jonathan O’Boyle and starring a stellar cast including Peter Ash, George Rainsford, Fiona Wade, and Jodie Steele, this latest installment keeps the audience on the edge of their seats from start to finish.


Two people look intently at a smartphone. One holds a folder and wears a "POLICE" lanyard. The setting is dimly lit.

Set in the murky world of fine art and deception, Picture You Dead begins with a seemingly innocent discovery. Freya and Harry Kipling, a kind-hearted and relatable married couple, stumble upon what they believe to be a lost masterpiece at a car boot sale. Their unexpected find sets off a chain of events that draws them deep into a world of high-stakes art dealing, forgeries, and deadly ambition.

As rumours of the painting's value spread, so too does danger. The Kipling’s good fortune quickly transforms into a chilling nightmare, as it becomes clear that others will go to terrifying lengths to possess the artwork. Meanwhile, DSI Roy Grace and DS Bella Moy are drawn into the mystery, uncovering connections between the painting, a cold case, and a new murder. With secrets hiding in plain sight and more than one character playing both sides, the audience is constantly kept guessing. Packed with twists, turns, and a few delightful jump-scares, this is a mystery that lures you in like a perfect forgery—beautiful, deceptive, and deadly.


Bearded man in paint-splattered clothes sits in an art studio. Paintings and an easel are visible. He appears thoughtful and relaxed.

Adrian Linford’s set design cleverly transforms the stage into a dynamic mix of locations—an art studio, a cosy home, a sleek police station, and shadowy corners of the art underworld. Each setting is clearly defined and full of detail, immersing the audience in the story’s layered world. Jason Taylor’s lighting design is both atmospheric and functional, focusing attention at just the right moments, while Max Pappenheim’s music adds suspense and intensity, perfectly underscoring the dramatic moments and sharp plot turns. Costume choices subtly reflect each character’s personality—from Roberta Kilgore’s power suits to the casual charm of the Kiplings—each detail thoughtfully considered.


Two people express shock in front of a framed painting. One wears a checkered shirt, the other a maroon shirt. The scene is indoors.

This production features a truly outstanding ensemble. Peter Ash brings complexity and charisma to the role of Dave Hegarty, a charming artist with a murky past. Whether he’s helping old friends or dodging suspicion, Ash plays him with a glint of mischief and warmth that makes him instantly engaging.

George Rainsford returns as DSI Roy Grace with calm authority and emotional depth, offering a detective who is both intelligent and human. He and Gemma Stroyan, reprising her role as DS Bella Moy, make a fantastic team—natural, intuitive, and quietly compelling.

Fiona Wade and Ben Cutler are perfectly matched as Freya and Harry Kipling. Their chemistry is effortless, and their portrayal of a couple caught in a whirlwind of danger is utterly convincing. They ground the play with heart and humour, making the stakes all the more personal.

Jodie Steele is a powerhouse as Roberta Kilgore. With sharp wit and undeniable stage presence, she brings both glamour and menace to the role. Whether commanding the room or delivering a subtle threat, she’s magnetic to watch. Her interactions with Nicholas Maude’s suave art collector Stuart Piper are laced with intrigue and delicious tension.


Man on phone looks worried, wearing a blue jacket; woman in sunglasses aims a gun in the background. Dimly lit, tense atmosphere.

Peter James Picture You Dead is an entertaining night at the theatre—packed with suspense, humour, and theatrical flair. With a gripping plot, slick design, and a top-tier cast, it’s a production that grabs your attention and doesn’t let go. Whether you’re a die-hard fan of the Roy Grace novels, a lover of crime fiction, or simply looking for a captivating evening at the theatre, this play delivers in style.

If you fancy a night of clever plotting, suspicious paintings, and a few nail-biting moments, this one’s worth framing on your theatre calendar.


Where fine art meets foul play—Picture You Dead paints the perfect mystery


Picture You Dead  is at The Lowry until Saturday 19th April 2025. Tickets are available for purchase through the link provided below.





If you would like more information about the show, please click the button below to visit the show's official website.





Photo Credit - Alistair Muir



*Our tickets for this show were kindly gifted in exchange for an honest review.








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