The Christmas classic Miracle on 34th Street has enchanted audiences for decades, and this season, HOME brought a dazzling new musical adaptation to Manchester. As one of my favourite Christmas movies, I was thrilled to hear that HOME was taking on this iconic story in musical form. Known for its heartwarming story and magical themes, this tale of belief and holiday spirit is as much a part of the festive season as decorating the tree or sipping hot chocolate by the fire. Adding an extra sprinkle of magic, the production invites audience members to write their own letters to Santa Claus. A few lucky participants will have their Christmas wishes mentioned live during the show, making it an enchanting and personal experience for both young and old.
This production of Miracle on 34th Street introduces a charming new twist by beginning in modern-day Britain. An elderly man’s cherished high-street toy shop, called 'Miracle', is on the brink of demolition after being bought out by a larger corporation. Doris, part of the company overseeing this transition, brings her daughter Susan along one day, and by sheer luck, the curious young girl finds her way into the enchanting store before its closure. Behind its magical red door lies a world brimming with untold stories, sparking Susan’s imagination. She dreams up her own tale, set in 1940s New York City during Macy’s Thanksgiving Parade.
The narrative then unfolds as we know and love it—Susan, a clever and sceptical girl, learns to believe in the magic of Santa Claus. Her mother, Doris, runs a New York department store that faces a holiday crisis when its Santa quits. Enter Kris Kringle, a kind stranger who insists he’s the real Santa. As chaos ensues—including a courtroom drama that questions Kris’s true identity—Susan discovers that sometimes, believing is seeing.
Jumping between modern-day England and 1940s New York occasionally felt confusing, and I couldn’t help but feel this addition to the story was unnecessary. While it aimed to create a whimsical, dreamlike quality, the shifting timelines sometimes disrupted the flow, making it harder to immerse fully in the magic. That said, the musical retains the charm of the original 1947 film, enhanced by vibrant songs, sharp humour, and a touch of modern flair.
Ciarán Bagnall’s set design is a highlight of the show, with a whimsical arch filled with vintage toys that evoke childhood wonder. The use of props, like toy gavels and colourful furniture, cleverly aligns with the story’s childlike perspective. Lara Booth’s costumes are equally enchanting, incorporating rich reds, greens, and golds that feel quintessentially festive. The music, while not all memorable, delivers some lovely moments, especially during It’s Beginning to Look a Lot Like Christmas, which captures the holiday spirit beautifully. The lighting adds warmth to the production, with glowing store displays and magical touches that enhance key scenes.
For this performance, the role of Susan was played by Karis Musongole. At just 10 years old, Karis delivers a performance brimming with sincerity, maturity, and wonder. From her powerful solo that earned thunderous applause to her playful yet heartfelt portrayal of a young sceptic learning to believe, she commands the stage with a presence far beyond her years. Already boasting credits like Les Misérables and Little Elphaba in the new Wicked film, Karis’s performance solidifies her status as a rising star, carrying much of the show on her capable shoulders.
Adam Vaughan brings warmth and authenticity to Kris Kringle, perfectly capturing the gentle wisdom and quiet confidence of the man who claims to be Santa Claus. His interactions with Susan and the wider cast are touching and believable, leaving even the most cynical audience members questioning whether he might truly be the man in the sleigh.
Jessica Joslin shines as Doris, navigating the character’s transition from pragmatic realist to a mother rediscovering belief with grace and nuance. Her chemistry with Matthew Hawksley as Fred Gailey is charming, with Hawksley bringing humour, heart, and energy to the role of the attorney who champions Kris in the courtroom.
The supporting cast adds an extra dose of holiday magic, with Stephanie Hockley stealing scenes as the hilariously clumsy Shellhammer. Zweyla Mitchell Dos Santos as Judge Harper also deserves praise for her impeccable comedic timing and show-stopping musical numbers that had the audience in stitches. Together, the ensemble contributes vibrant humour and festive cheer, ensuring the production feels lively and full of heart.
Miracle on 34th Street: The Musical at HOME Manchester is a charming family production that brings holiday magic to life. While some elements could use refinement, the show delivers heartwarming moments. It’s a cosy Christmas treat that reminds us of the importance of belief, no matter our age. For families looking to spark some festive joy, this musical is a lovely way to make holiday memories.
Miracle on 34th Street: The Musical is at Home Manchester until Tuesday 31st December 2024. Tickets are available for purchase through the link provided below.
Photo Credit - Chris Payne
*Our tickets for this show were kindly gifted in exchange for an honest review.
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