REVIEW - A CHRISTMAS CAROL | OCTAGON THEATRE, BOLTON | 29/11/2025

A Christmas Carol at the Octagon Theatre Bolton – A Joy-Filled, Modern Twist on a Timeless Classic

There are some stories that feel stitched into the fabric of Christmas, and A Christmas Carol is one of them. Dickens’ tale of Scrooge, ghosts and second chances has become a festive staple, so seeing how each new stage adaptation reinterprets it is always fascinating. At the Octagon Theatre Bolton, this year’s production arrives as a bright, musical and family-friendly take under the direction of Sarah Tipple. Settling into the in-the-round space, it’s clear from the outset that this is a version that leans into joy, energy and a welcoming tone while still honouring the heart of the original story.

Even if you’ve seen A Christmas Carol many times before, this adaptation finds a fresh, family-focused rhythm that makes the story feel wonderfully inviting. At its heart is Ebenezer Scrooge, a man who has closed himself off from joy, generosity and human connection. One Christmas Eve, his quiet, miserable routine is shattered when he’s confronted first by the ghost of his former business partner, Jacob Marley, and then by three very different spirits who guide him through his past, present and possible future.

Kate Ferguson and Susanna Pearse’s version keeps all the essential turning points audiences expect—the lonely boy at school, the warmth of the Fezziwigs’ celebrations, the heartbreak of lost love, the Cratchit family’s resilience, and the chilling glimpse of what lies ahead if nothing changes. But the structure is reshaped slightly, allowing the storytelling to flow quickly and clearly for younger theatregoers. Musical numbers lift emotional beats, create humour, and help bring the ghosts’ worlds to life, making their visits feel like distinct chapters with their own tone and energy. It’s still the classic redemption story we all know, but shaped in a way that today’s families—especially children encountering Scrooge for the first time—can follow with ease and excitement.

Hannah Wolfe’s set cleverly uses the Octagon’s in-the-round staging, relying on minimal but impactful pieces that move the story along seamlessly. It’s a production that blends Victorian atmosphere with modern twists: neon pops of colour, guitars, scooters, festive banners and contemporary costumes woven into classic period silhouettes.

Simeon Miller’s lighting design is nothing short of magical. From glowing lanterns to sweeping mood changes, dramatic shifts to soft flickers of fairy light, the lighting becomes a storytelling force of its own—guiding the emotion, enhancing the musical numbers and truly capturing the warmth of Christmas.

Susanna Pearse’s music is one of the real highlights of this adaptation, and it gives the production its heartbeat. Each song feels carefully shaped to support the story while also keeping younger audience members fully engaged. The score moves confidently between lively, toe-tapping numbers and gentler, emotional moments, creating a musical landscape that feels fresh without straying too far from the spirit of Dickens’ world.

The upbeat songs are packed with personality, often inviting the audience to clap along or smile at clever musical cues. Fezziwig’s party is a standout example — the combination of choreography, bright staging and a wonderfully catchy tune lifts the whole room, turning the theatre into its own little celebration. Moments like this bring an infectious sense of joy that really sets this version apart.

Then there’s the Ghost of Christmas Present’s pudding anthem — an absolute burst of festive fun! Lucy Keirl launches into the number with such energy that the song becomes its own mini showstopper. It’s chaotic in the best way, with rock-infused flair that had the audience laughing and tapping their feet.

But the score also knows when to slow down and let the story breathe. The more reflective songs gently reveal Scrooge’s inner world, allowing us to see glimpses of regret, hope and past happiness. These quieter musical moments soften the edges of the character, giving the eventual transformation even greater emotional impact.

What I loved most is how the music makes the story feel enjoyable for all ages without ever losing emotional depth. Whether it’s a lantern-lit melody from the Ghost of Christmas Past or the bright, bustling ensemble pieces, the songs help define each chapter of Scrooge’s journey. They’re memorable, well-crafted and full of festive character — I left with more than one tune stuck in my head, and I mean that in the best possible way!

With just five adult performers and two talented youth actors, this ensemble thrives on versatility. Their quick changes, character shifts and nonstop energy keep the show moving at a pace that feels exciting rather than chaotic.

David Birrell leads the cast as Ebenezer Scrooge, and although this version presents a slightly less intimidating Scrooge, Birrell’s balance of humour, bite and emotional depth makes the character entirely believable. His transformation—gentle at first, then wonderfully energised—is deeply satisfying.

William Donaldson delivers a standout Marley, arriving in spectacular fashion with chains, physicality and just the right mix of eeriness and fun. He also makes a warm, joyful Bob Cratchit.

Conor Neaves brings sincerity and kindness to both Fezziwig and Fred, offering heartwarming contrasts to Scrooge. His joyful energy in Fezziwig’s party is infectious.

Hannah Brown’s Ghost of Christmas Past is gentle, glowing and enchanting, with moments of real magic as lanterns illuminate around the stage. Her portrayal of Fan adds warmth and emotional resonance.

Lucy Keirl storms onto the stage (literally on a scooter) as the Ghost of Christmas Present, delivering a high-energy, hilarious performance complete with her unforgettable pudding anthem. As Belle, she offers nuance and sensitivity, giving a poignant glimpse of the life Scrooge lost.

This A Christmas Carol is joyful, modern and full of festive fun. Some of Dickens’ bleaker moments take a softer form here, but that choice allows the show to flourish as a vibrant, family-focused celebration. The uplifting, beautifully crafted music ties everything together, giving the production an irresistible festive energy. With clever staging, vibrant performances and a warm, accessible approach to Dickens’ story, it celebrates kindness, gratitude, community and the true spirit of Christmas. If you're after a traditional Victorian retelling, this isn’t it—but for a sparkling, feel-good festive treat for all ages, the Octagon’s adaptation bursts with seasonal charm and joy.

A magical Christmas tale that warms the heart and sparkles from start to finish.

A Christmas Carol is on at the Octagon Theatre, Bolton until Saturday 10th January 2026. Tickets are available for purchase through the link provided below.

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Photo Credit - Pamela Raith

*Our tickets for this show were kindly gifted in exchange for an honest review.